In-House Project

Like Grass. A literary audio guide to the Anthropocene

Texts by Daniel Falb, Monika Rinck and Judith Schalansky transform the Museum für Naturkunde Berlin into a literary space exploring the Anthropocene – available to listen to via an audio guide.

A view from above of actress Sandra Hüller lying on a concrete floor, surrounded by flowers. Above her, the text reads: "Like Grass. A Literary Audio Guide to the Anthropocene"

What would a Museum of the Anthropocene look like? 

How would it tell the story of the so-called Age of Man? And will everything eventually turn to grass? 

The literary audio guide from the Museum für Naturkunde Berlin, featuring texts by Daniel Falb, Monika Rinck and Judith Schalansky, narrated by Sandra Hüller, Dirk von Lowtzow and Christoph Müller, invites you to explore the exhibition in a whole new way.

Neozoa, algae, polymers: human activities are profoundly altering the planet. Their traces can be found in the Earth’s sedimentary layers, and they have given rise to a wealth of new creatures and objects. In the so-called “Age of Man”, the Anthropocene, societies in the Global North in particular are producing a gigantic mass of objects, breeding their own animal and plant species, and excessively exploiting natural raw materials. The concept of the Anthropocene signifies that the increasingly catastrophic consequences of human influence on the Earth system are entering social and political consciousness. When we view nature and natural objects through this changed lens, the diverse stories they tell—of the long-standing and ever-changing relationship between the environment, human resource use and technologies—become visible. Nowhere is this more evident than in a natural history museum.

Three renowned writers—Daniel Falb, Monika Rinck and Judith Schalansky—explore these stories and connections through the spaces and objects of the Museum für Naturkunde Berlin. From different perspectives, the literary texts by the three authors address the interactions between the human and the non-human: at times critically, at times playfully, at times narratively. In doing so, they rattle locked doors, stumble upon fire extinguishers, heating pipes and the otherwise often overlooked backdrop against which the exhibits are presented. They invite us to engage in thought experiments beyond the human realm and offer a glimpse into the “deep future” of human societies in the Anthropocene.

Narrated by Oscar-nominated Sandra Hüller, Christoph Müller (Schauspiel Leipzig) and Tocotronic singer Dirk von Lowtzow, and woven into a theatrical composition by the FARN collective, an immersive sound installation has been created. Accompanied by music and sound as a fourth voice, the audio guide invites visitors to stroll through the exhibition and experience the objects on display in a completely new way: to listen to the hum of the radiators, the chorus of the taxidermied animals, the stories behind the rocks. And in light of the profound changes to the Earth’s system caused by human activities, to ask ourselves together: What do we want to take with us into the future?

A production by the FARN Collective and the Museum für Naturkunde Berlin.

Authors 

Daniel Falb is a poet and philosopher. He lives and works in Berlin, where he studied philosophy and obtained his doctorate with a thesis on the concept of collectivity. He has published five collections of poetry with kookbooks, most recently *Deutschland. Ein Weltmärchen (in leichter Sprache)* (2023). Falb also works on geophilosophy, the theory of the Anthropocene, and questions of poetics and art theory. Following *Anthropozän. Dichtung in der Gegenwartsgeologie* (Verlagshaus Berlin 2015), the essay *Geospekulationen. Metaphysik für die Erde im Anthropozän* (Merve) was published in spring 2019. 

Monika Rinck was born in Zweibrücken in 1969. She studied Religious Studies, German Studies and Comparative Literature in Bochum, at the Free University of Berlin and at Yale University. Artistically, she operates across a wide variety of fields. Even during her studies, she developed a penchant for interdisciplinary and intermedia boundary-crossing. Her publications include *Alle Türen. Poems (2019), Champagne for the Horses. A Reader (2019), Risk and Idiocy. Polemics (2015), Honey Protocols. Poems (2012). Since April 2023, she has been teaching as a professor of creative writing at the Academy of Media Arts in Cologne. 

Judith Schalansky, born in Greifswald in 1980, studied art history and communication design. Her work, including the internationally successful bestseller Atlas of Remote Islands (mare, 2009), the Bildungsroman The Giraffe’s Neck (Suhrkamp, 2011) and The List of Some Losses (Suhrkamp, 2018), has been translated into more than 25 languages and has received numerous awards. She is the editor of the “Naturkunden” series and the “Wildes Wissen” library at Matthes & Seitz Berlin, and lives in Berlin as a freelance writer and book designer.

 Production 

Founded in 2016, the theatre collective FARN Kollektiv consists of Sandra Hüller, Tom Schneider, Tobias Staab, Michael Graessner, Sandro Tajouri and Moritz Bossmann. Here, theatre is understood as a collective practice of thinking and acting. Within the collective, there are no fixed structures or hierarchies, no pre-existing forms or aesthetics, no certainties or truths one could or would rely on. Their 2021 production "The Shape of Trouble to Come. A Posthuman Ritual" at Schauspiel Leipzig in 2021 was based on texts by Donna Haraway and other authors in which humanity and capitalism are removed from the centre of thought, and was dedicated to utopian narratives of a possible tomorrow. Building on this, the FARN collective developed a performance on the Anthropocene in 2022 at the Museum für Naturkunde Berlin.

Portrait photographs of the authors Daniel Falb, Monika Rinck and Judith Schalansky

 

Listen to the full audio guide

At the museum or on YouTube 

Our tip: For the best possible listening experience in the museum, use the best headphones you can. We recommend bringing headphones with in-ear technology and noise-cancelling functionality.

(Kopie 1)

A project by and featuring:

  • Daniel Falb (text), 
  • Monika Rinck (text), 
  • Judith Schalansky (text); 
  • Michael Graessner (concept and direction); 
  • Tom Schneider (concept and direction); 
  • Moritz Bossmann (music); Philine Lembeck (music); 
  • Sandro Tajouri (music); 
  • Sandra Hüller (voice and vocals); 
  • Dirk von Lowtzow (voice and vocals); 
  • Christoph Müller (voice and vocals) 

Supported by: Linda Gallé; Sonja Kreft; Valentin Henning; Sylvia Hinz; Astrid Faber; Martin Tscholl; Catharina Madruga; Katja Kaiser; Marc Jerusel; Frederike Nolte; Gesine Steiner; Stefanie Krzyzniewski; Lisa Kluckert; Mira Witte; Madeleine Dontschev

Our context within the museum

Zwei Frauen befestigen Fotos und Notizzettel an einer Pinnwand, die mit roten Linien Themen wie Konsum, Recycling und Globalisierung miteinander verknüpft.
Department

Public Science

Participation, knowledge infrastructures and science policy

Science Programme

Society and Nature

We study how knowledge about nature is generated, how it is utilised in society, and how science and society work together to develop solutions to environmental challenges.